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Raising Orphaned Wood Ducks by Leo Hollein and Judy Schmidt

Mallards and Wood Ducks are the most common breeding ducks in New Jersey. While both species breed in fresh water habitats throughout the state, their life styles are quite different. Mallards are hardy, gregarious, ground nesting ducks that are present in New Jersey throughout the year. The familiar green headed drakes and drab hens are common in ponds and parks where they eagerly seek handouts. The crested drake Wood Duck in breeding plumage (below) is a strikingly beautiful multi-colored bird. The hen (next page) has a distinctive large white eye patch. Wood Ducks in spring can occasionally be seen perching high above on tree braches as they seek a nesting cavity.

Male Wood Duck

Wood Ducks are shy and distrusting cavity nesters that prefer wooded wetlands and mostly migrate to the southern half of the United States for the winter. Wood Ducks are small and weigh about half as much as Mallards. Both hen Mallards and Wood Ducks begin laying large clutches of about ten eggs in early spring. Only a single clutch is raised in New Jersey. If the first clutch fails, the ducks may renest. The hen lays an egg a day until the clutch is complete. The eggs are then brooded for about four weeks until the fully feathered precocial (capable of feeding themselves) chicks hatch. The hens are single moms that select the nest site, brood the clutch, coax their new hatchlings out of their nest and shepherd their young until they are able to fly in about two months. The drake’s primary mission is to woo the hen and fertilize the eggs. 

The New Jersey Wood Duck population was decimated and nearly extirpated in the early twentieth century due to habitat loss and unregulated market hunting (Walsh et al., 1999). The harvesting of mature hardwood forests reduced available nesting cavities. The Migratory Bird Treaty of 1918 regulated hunting and the introduction of artificial nest boxes and enabled the remnant Wood Duck population to rebound to the current robust levels. 

Every spring abandoned ducklings are found by concerned individuals that want to get them out of harm’s way. Usually the ducklings’ mother has been killed or is no where to be found. Orphaned ducklings can come from unexpected places such as roads, garages, storm sewers and even felled trees in the case of Wood Ducks. One duckling was recovered by a fisherman from a snake that had grabbed the last duckling swimming in a line. The fisherman hit the snake over the head and was able to retrieve the duckling. However, the mother duck and rest of her clutch had disappeared in the meantime. 

Female Wood Duck

Abandoned ducklings should be transferred to a rehabilitation center as soon as practical to increase their chances of being successfully raised and eventually released into the wild. It is unlawful to attempt raising a wild bird without a permit. Most ducklings die because they get cold. The most important thing for someone who finds an orphaned duckling is to keep it warm and dry until it can be transferred to a rehabilitation center. 

As would be expected, orphaned duck- lings in New Jersey are primarily Mallards and Wood Ducks since they are the most common breeders. Mallard chicks respond well to human parenting. They have a high survival rate if provided with the basics of food, water, and a safe place. They readily become acclimated to the presence of humans 

Wood Ducks are not susceptible to taming. They retain the shy and secretive characteristics of their breed. They avoid human interactions. Orphaned Wood Duck chicks are known by rehabilitation centers to be difficult to raise. Their mortality rates can be excessive. The second author is a former State and Federal permitted duck rehabilitator who now serves as an off–premise rehabilitator of Wood Ducks for the Raptor Trust. She uses her residence to provide the privacy required to successfully raise Wood Duck chicks. Judy handles the dozens of ducklings of this species that are annually received by the Raptor Trust. The first ducklings are usually received in late April. Ducklings from later clutches arrive until early June. 

The key to raising young Wood Ducks is to get them to settle down and begin eating during their first few days in captivity. They should be given as much privacy as practical during their entire captivity. Judy houses newly hatched ducklings inside her garage in a heated box that is approximately two feet by three feet wide and eighteen inches tall. The box has a wire cover to prevent ducklings from jumping out. In the wild, the hen Wood Duck calls her young out of their nest box within 24 hours of hatching. Afterwards the ducklings evidently don’t want to go back into a box. The box in Judy’s garage is heated with a sixty watt yellow bug light. The bottom of the box is covered with newspaper and then a layer of paper towels to create a spongy surface. This enables the ducklings to see food that moves as the ducklings walk on the paper towels. This movement entices the ducklings to begin eating. A shallow one inch deep pan with water is at one end of the box. The end of the box beneath the light is made higher with folded towels. Ducklings like to get up as high as they can. A food bowl is put in the center of the box. Clumps of grass and dirt are placed on the floor to create a more natural environment. Duckweed is placed in the water dish and on the walls. 

When new ducklings are received, they are put in the water. They may drink but most likely will run to other end of box to get as far away as possible. At least they learn where the water is located. When they are all in the box, it is covered with a towel with a small opening for a peek hole. The ducklings are left alone for the first six hours. If they stop jumping and are resting under the light, they are sprinkled with ground up hi-protein dog food bits. It looks and moves like bugs and may trigger feeding. After cleaning the box, food is put on the floor and meal worms in the feeding bowl. The box is cleaned twice a day. The hi-protein dog food is removed from feed after four days and meal worms are discontinued after ten days. Commercial duck food is the primary diet for the rest of their captivity. 

After two weeks the ducklings are transferred to a larger open box inside the garage. Depending on the weather at 3-4 weeks they are transferred to large outside wire cages that contain vegetation and a water pond. The Wood Ducks are amazingly adept at hiding in the grassy area of their pens. Food and fresh water are replenished once a day. The ducks are released into the wild once their down begins to be replaced with feathers. The ducks are released in areas in the Great Swamp National Wildlife Refuge that are known to harbor Wood Ducks. The existing Wood Duck population will hopefully help the assimilation of the captive raised ducks into the wild. 

Chart 1

Chart 1 presents the Wood Duckling raising data for the last nine years. Nearly two-thirds of the orphan ducklings lived to be released during this period. Most fatalities occur in the first few days after arrival. Ducklings usually live at least a day after being placed in their new box home. If they survive for three days, their chances of being raised and released are very good. A lone Wood Duckling is particularly difficult to raise. A lone Wood Duck could be put in with mallard ducklings of a similar size. However, a small duckling should never be put into a box with larger ducklings. 

Keeping orphaned Wood Duck young warm and dry and getting them to a rehabilitation location as soon as practical is a key in preventing the ducklings from becoming too weak and traumatized to be successfully raised. 

Literature Cited

Walsh, J., V. Elia, R. Kane, and T. Halliwell. 1999. Birds of New Jersey. New Jersey Audubon Society.

Histories of Ornithology, Reviews by Joseph DiCostanzo

The Wisdom of Birds: An Illustrated History of Ornithology
Tim Birkhead
Bloomsbury USA, 2008

All About Birds: A Short Illustrated History of Ornithology
Valérie Chansigaud
Princeton University Press, 2010

These interesting and attractive books are devoted to the history of the study of birds. The classic work by Stresemann (1975), a scholarly history aimed at a professional audience, has long been out of print. Also, as an English translation of a German book originally published in 1951 it is now six decades old. There have been more recent works, generally of a more specialized nature: Farber (1982) looks at ornithology’s development as a modern science from the late-18th Century to the mid-19th Century while Walters (2003), though aimed at a more general audience than the earlier works, emphasizes classification and taxonomy. Despite its title, Bircham’s (2007) book focuses on the history of British ornithology rather than the field as a whole. For American ornithology see the fine book by Barrow (1998).

Stresemann’s study contains no illustrations (other than a frontispiece photo of the author) while Walters’ has many pictures of scientists and a handful of birds (all in black and white). These latest two boos by Birkhead and Chansigaud, as did the works mentioned above, originated in Europe, but as their subtitles state are heavily illustrated. Beyond that these two new works take very different approaches to their subject.

Chansigaud’s book was originally published in France in 2007, with an English translation in the United Kingdom in 2009 and finally this American edition. It is a relatively slender volume and follows what might be considered a more traditional approach than Birkhead. After a brief introduction, seven chapters chronologically look at ornithology, starting with “Antiquity” followed by “The Middle Ages” and “The Renaissance”, then a chapter each for four centuries from the 17th Century to the 20th Century. From Aristotle to 20th Century ornithologists, the focus is the people who have brought the study of birds from mythology to a modern science. The text is clear and well-written; however the occasional odd phrasing reminds the reader that it was not originally written in English.

The main illustrations are nearly all of birds from illustrated works over the centuries. Except for older monotone works these are all in color. The quality of the reproductions is excellent, if a bit small. Many famous bird artists are represented including Audubon, Fuertes, Gould, Keulemans, Lear, Wilson and others; some of these are themselves discussed in the main text. There is also some lovely work by unknown Indian artists (pp. 111, 115), a legacy of the British Empire. Unfortunately, there are also a few illustrations where the artist is not credited and only the author of the work in which it was published is listed (such as pp. 150, 157, 160). For a dedicated survey of bird art, see the beautiful book by Linnaean members Pasquier and Farrand (1991) or the more recent one by Elphick (2005). Throughout Chansigaud’s book there are smaller, marginal illustrations. A few are the title pages of major publications or the logos of important organizations, but most are pictures of the people discussed in the main text. The captions of the latter usually include information about the person. I noticed one misleading caption. Under the photo of Ernst Mayr (p. 202), one of the 20th Century’s top ornithologists and a long-time Society member, it states he made his career at the American Museum of Natural History. While Mayr first came to the United States to work in New York (1931-1953) and did much important work at the American Museum, he spent most of his long life and career at Harvard’s Museum of Comparative Zoology (1953-2005).

Chansigaud’s book concludes with a few pages on the current role of ornithology and ornithological collections, a brief bibliography, an index of people and institutions and a twenty page timeline from 340 BC to 2002.

Instead of strict chronological order, Birkhead’s organizes his book around the biology of birds. In chapters devoted to different aspects of avian life history he traces the historical discovery and development of knowledge in each subject. There are chapters on embryology, development and instinct, migration, breeding cycles, territory, song, sexual dimorphism, mating systems, longevity and lifetime reproduction. Throughout, material is presented in a well-written, clear, nontechnical style accessible to a general audience. The reader will learn a lot of history, as well as avian biology. One fascinating story concerns the Acorn Woodpecker. Acorn’s are social breeders living in groups – young males from previous seasons assist their parents while females disperse to other groups. Birkhead tells the story of a researcher following a young female as she moved to another group only to be driven off by that group’s males. The female returned to her family and after interactions with her brothers went back to the second group accompanied by her brothers who attacked the males there until she was accepted! Her brothers then returned to their own family group.

As in the previously discussed book, this book is extensively illustrated in color, mostly with plates from old bird books, but here the plates are chosen to illustrate a biological subject being presented, rather than primarily as examples of bird artists. There is an extensive bibliography, a short glossary and a full index.

The central figure in Birkhead’s history, the man he considers “the most influential ornithologist of all time” is 17th Century polymath, cleric and naturalist John Ray (16271705). A recent book on history’s greatest naturalists refers to Ray as the “English Aristotle” (Huxley 2007 – a book I also recommend). The encyclopedia Ornithologia Libre Tres by Francis Willughby, published by Ray in 1676, is often considered the birth of ornithology. (In Chansigaud’s book the subtitle of his 17th Century chapter is “The founding work of John Ray and Francis Willughby”.) Ray was the son of a blacksmith. Willughby, Rays’ junior by eight years, came from the aristocracy. They met as students at Cambridge and in spite their different backgrounds became best friends and coworkers. When Willughby died in 1672 at age 37, Ray became one of his executors and tutor to his children. Until then primarily a botanist, Ray completed the bird book they had been working on, publishing it under his friend’s name. Ornithologia presented the first modern classification of birds, often considered superior to the one proposed by Linnaeus sixty years later (Stresemann 1975). For over 300 years debate has continued, heatedly at times (Raven 1942, Bircham 2007), on who should receive the majority of the credit. One of Ray’s later books, The Wisdom of God Manifested in the Works of the Creation (1691) inspired the title of Birkhead’s book. Following Haffer (2007), Birkhead presents the case that after Ray ornithology followed two parallel, but separate paths. One, with roots in Ornithologia, stressed classification and faunal studies, while the other, stemming from The Wisdom of God, stressed field study. The two branches were reunited into modern avian biology in the 1920’s and 1930’s by Erwin Stresemann and David Lack. In a way Chansigaud’s and Birkhead’s two histories reflect that dichotomy and complement each other very well.

Though the Linnaean Society of New York is not mentioned in either book, papers published in Society publications are mentioned, sometimes prominently. Birkhead’s bibliography includes papers by Ernst Mayr, Margaret Morse Nice and Nikko Tinbergen originally published in the Society’s Proceedings and Transactions. Chansigaud also mentions Nice’s landmark Song Sparrow work and Tinbergen’s Snow Bunting study.

Literature Cited

Barrow, M. V., Jr. 1998. A Passion for Birds: American Ornithology after Audubon. Princeton Univ. Press.

Bircham, P. 2007. History of Ornithology.

Collins. Elphick, J. 2005. Birds: The Art of Ornithology. Rizzoli.

Farber, P. L. 1982. Discovering Birds: The Emergence of Ornithology as a Scientific Discipline, 1760-1850. Johns Hopkins Univ. Press.

Haffer, J. 2007. The Development of Ornithology in Central Europe. Jour. of Ornithology 148 (S125-S153).

Huxley, R. (ed.) 2007. The Great Naturalists. Thames and Hudson.

Pasquier, R. F., and J. Farrand, Jr. 1991. Masterpieces of Bird Art: 700 Years of Ornithological Illustration. Abbeville Press.

Raven, C. 1942. John Ray, Naturalist: His Life and Works. Cambridge Univ. Press.

Stresemann, E. 1975. Ornithology from Aristotle to the Present. Harvard Univ. Press.

Walters, M. 2003. A Concise History of Ornithology. Yale Univ. Press.

Observations On A Nest Box Used by House Wrens in Central Park by Chuck McAlexander

Sometime during the spring migration of 2003 a fellow birder pointed out a House Wren nest near the Andrew Haswell Green bench in the north end of Central Park. It was inside the hollow branch of an otherwise healthy tree. The wrens entered and exited through the broken end of the approximately five foot long branch. There was a long crack running most of the length of the branch which might have helped with drainage and/ or ventilation, but was otherwise too small to allow the birds to pass. Its location on the downhill side of the tree, away from the footpath and protruding nearly into the lower shrubbery made it an ideal site. It was well shaded by the tree’s canopy and the tree combined with the shrubs to create good concealment. I observed the wrens on a nearly weekly basis during the 2003 and 2004 nesting seasons; both seasons were successful. I didn’t keep notes or count things like eggs or fledglings, but I did observe food being ferried into the nest, fecal sac disposal, and ultimately, fledgling wrens. I also spent some time in the pure enjoyment of the wrens’ defense of the nest. Their song is as beautiful as it is relentless. 

Some time in the late-summer or fall of 2004 the branch was severed from the tree. It was left to rot where it still lies at the base of the shrubbery, just downhill from the tree. Upon discovering this I was both crestfallen and angered. I couldn’t fathom the reason for the destruction of the nest. Neither could I let the event pass without an attempt at remedy. A man-made nest box would have to take the place of the natural cavity and I was just the guy who could make it. 

Getting permission to install a nest box proved much more difficult than making one. I called every agency I could think of that might be able to grant approval. The answers I received ranged from comical to transparently false. No one was able or willing to even give me the name of the person with whom I should discuss the project and plead my caser I heard: “The identity of that person is private and not available to the public”; “We don’t put bird houses in the park”; “If you get caught putting up a nest box you will be charged with vandalism”; and my personal favorite, “Wrens are destructive. You should not do anything to help them.” Needless to say, I began what some of my friends called “Ninja” nest box activity. 

Front view of nest box

In an effort to keep my efforts as righteous as possible, I dug through some material from the Cornell Laboratory of Ornithology. There were plans for nest boxes for many species in one of their bulletins. I adopted a design and tried to execute it down to the type of wood to be used. Plain, unfinished cedar or redwood is best for two reasons. First, it contains oils which make it more weatherproof and durable. Pine might last several years, but cedar or redwood should last over a decade. Second, those same oils are repellent to many kinds of insect. Instead of trying to find some neem to place in the box to deter bugs, I used cedar to make it. 

It was also necessary for me to consider how the box might be mounted. Part of the pitch I was hoping to deliver to the powers that control such installations included a permanent post on the same side of the tree as the original branch. As time passed, it became clear I would not even get to speak with a Parks Department employee or someone from the Central Park Conservancy, let alone get permission to install a nest box. That left the tree as the only possibility. Nails, screws, and any other fastener which might penetrate the tree were out of the question. So was any kind of thin, sharp wire or cord for the same reason. I finally settled on many strands of jute twine. The color blended better with the tree and several strands spread the load of the box over a wider area than a single strand of rope. No harm would come to the tree over the four or five months the box would be in place – I planned to remove it for cleaning and sterilization in the fall. 

But first, I had to get the box into the tree and not get myself into trouble. I asked friends to keep an eye out for House Wrens in the park and tell me when they had arrived. I felt the timing was critical. If the box were found too early it would be removed before the wrens moved in. If it was too late, the wrens might relocate and not inhabit the box. However, if the nest box were discovered after the wrens had occupied it and were in the process of building a nest, not even the most callous gardener would disturb it until after the young had fledged. Or, so I hoped, anyway. 

In the pre-dawn darkness of late-April, 2005 I managed to find my way to the tree. I can’t say it was a walk in the park. I felt as if my intentions were being broadcast to every person I passed. The only ones who concerned me were the police in their scooters. I have to say, I got lucky. I tied the box to the tree, put all the extra twine and the plastic bag into my backpack and donned my binoculars. I walked toward the south looking every bit the part of the average birder. I hadn’t walked more than twenty steps when the back end of a police scooter came into view. It had been parked there on the south side of the hill for some time, but it was facing the wrong way and the cop was reading something by artificial light. I strode past as though I hadn’t any clue about the crime which had just taken place on the other side of the hill. 

Side view of nest box

The wrens were lucky that year. Two days later I found them ferrying nest material into the box. It stayed unmolested until I retrieved it in the fall. That wasn’t the case in 2006. The box was left alone for the breeding season, but disappeared before I could retrieve it. I put a new box up too early in 2007. It too was taken. I put up another and, through a friend, managed to get some assurance from the zone gardener that it would stay until I retrieved it that fall. It did. I did. And this box is the subject of this article. 

Except for three changes, the box is the same as the one described in the Cornell plan. First, I used deck screws to secure the parts – Cornell suggests galvanized nails, but screws are much stronger as well as much less subject to corrosion. Second, I was forced to use another wood – I ran out of cedar and didn’t have the funds for more. I did have some poplar. Considering the probability of the box being removed, I used the less desirable material. Third, I added a Noel guard – this is the tubular cage over the entrance. It is made of galvanized half-inch screen and has proven quite durable and effective. The defense it offers against predators seems well worth its unsightly appearance. Anyway, the wrens do not seem to mind. 

House Wrens fill their nest cavity with a variety of materials and in a very intelligent way. When I examined the box after the nesting season, it appeared as if the entrance was blocked by nest material. All you can see is a wall of twigs and feathers. Only by looking at the top of the actual nest interior can you discover the wrens’ little secret. Immediately upon entering the nest box the wren must make a sharp right turn and work its way along the inner wall toward the rear of the nest to get to the depressed area which contains the eggs or nestlings. Obviously, intelligence was used to design this wall of secrecy into the nest, but I never suspected such duplicity from such a small and arrogant bird. 

Perhaps I mistake arrogance for simple pride of accomplishment. The materials used in the construction aren’t unusual, but the size of some of them is. There are twigs four to six inches in length and the largest is about 5/32 inch in diameter. That isn’t much of a twig for us humans, but in wren equivalents, it’s as if one of us carried a small tree trunk up five or six flights of stairs, pushed it through a tunnel, then jumped down several flights inside a house to arrange the log in a useful way, then do it over and over until the entire house is filled to the point that only two or three of us can sit in the attic. If I could achieve anything close to that spectacular feat, I would be filled with pride to the point of arrogance, too. 

Side view with door removed

Of course, the wrens use smaller materials, too. There were a few long flat fibers, some dried grass and a few conifer needles. 

The finest of the twigs used varied from an inch to four inches in length but only about 1/16 inch in diameter, making them flexible and capable of being woven between the thicker sticks. The only man-made material used in the construction of the nest was a well-worn and weathered piece of magnetic recording tape. Most of the magnetic oxide had come off, but the long, thin plastic material was used to weave together some of the upper portion of the nest filler just beneath the depressed cup where the eggs were laid. There were also some remnant strands of the twine I used to tie the nest box to the tree. I scattered some below the nest and put a few inside just in case they might be useful. It appears they were. These fine fibers look to be what the nest cup was made from, but the wrens had to unravel each strand and haul it inside before weaving the cup. 

The nest also contained quite a collection of feathers. They came from Red-bellied Woodpecker, Blue Jay, House Wren, European Starling, and probably House Sparrow . There might also be species represented I was unable to identify. These feathers were woven through the coarser material similar to the thinner twigs, with the smaller feathers closer to the top of the nest. 

Generally, these materials trended from coarse and thick to fine and flexible as the nest was laid from bottom to top. Some of the longer “logs” were set at an angle in the cavity while the finer materials were used to lock things in place. Feathers and the plastic recording tape were woven in a way that held things quite securely. The entire interior structure came out of the box as a unit. It took some considerable teasing and prodding to separate the individual pieces without causing any damage, especially at the top where down feathers, plant fiber, and flat grass segments were formed into a mat to support the fine fiber cup. Feces also held some elements of the upper structure in place. This may have been intentional or could have just been the result of young birds doing what young birds do. 

Every tale has its villain. I suspect the insect remains found in the nest material might fulfill that purpose here. There were what appeared to be three species of “bug. Even four times magnification was no help to me in identifying these exoskeletons. I can’t even be sure when these creatures entered the nest. The box was in my possession from late fall of 2008, but I didn’t study the contents until April of 2009. I suspect they may be some kind of parasite, but only make that guess based upon their general appearance and that they were in the nest material. I can’t imagine an insect beneficial to House Wrens which isn’t part of their diet. 

Fortunately, this story does have a happy ending. In conversation with Regina Alvarez of the Central Park Conservancy concerning the repair of yet another nest box located in the west end of the wildflower meadow, I learned of plans for a permanent nest box installation at the Green Bench location. I saw it in place, with House Wren loudly singing nearby, on April 27, 2009. Now I can put my Ninja costume away and express my sincere thanks to her for giving me official permission for the wren nest box. I couldn’t be happier and I’m sure the wrens will make good use of the new digs. 

Farida Wiley, 1887-1986

Farida Wiley and birders in Central Park, NYC in 1946

Paul Sweet tweeted on 5/8/2019 that that his predecessor as American Museum of Natural History bird tour leader was Farida Wiley (1887-1986), an amazing woman in science who worked at the museum for 60 years. She was also a member of The Linnaean Society of New York.

Links to her interesting and detailed obituaries:

A New Dictionary of Birds, Review by John Bull

A New Dictionary of Birds
Edited by Sir A. Landsborough Thomson
McGraw-Hill, 1964

Although a dictionary in name, this stupendous volume is encyclopedic in scope. Numerous cross-references make this notable book of the utmost value. The many collaborators are specialists in their own fields and come from all corners of the globe. Most are renowned ornithologists having broad attainments and interests in scientific matters.

Articles of great interest both to the layman and scientist cover such diverse subjects as zoogeographic regions, ethology (behavior), classification, taxonomy, nomenclature, climatology, coloration, structure, disease, domestication, ecology, toxic chemicals (pesticides), adaptive radiation, eggs, parasites, evolution, molt, extinction, fossils, conservation, flight, genetics, imprinting (learning), migration, musculature, nests, speciation, numbers (density), plumage, ringing (banding), vocalization, anatomy, statistics, territory, mimicry, and numerous others. The treatment and discussion of the bird “groups” is made generally at the family or subfamily level.

Of great interest to students of distribution and evolution are the excellent articles on the zoogeographic regions: the Australasian by Serventy; the Oriental by Salim Ali; the Ethiopian by Moreau; the Palaearctic by Voous; and both the Nearctic and Neotropical by Mayr.

To the reviewer, one of the most fascinating articles is that on extinction by James Fisher, excellently summarized with tables.

The illustrative material varies in quality, but the many black and white photographs are superb. By and large the color paintings are attractive, those by Talbot-Kelly and Reid-Henry especially so. The illustration of the Screech Owl, however, done by another artist is barely, if at all, recognizable. A few errors inevitably crept in: on page 315 the figure labeled an Eastern Kingbird should be Scissor-tailed Flycatcher; on plate 8, the Rock Ptarmigan, figs. 3 and 4 are transposed— they should be “summer” and “winter” respectively; on plate 12 the corvid perched on a fish is appropriately enough, a Fish Crow, not a Common Crow (see Cruickshank, Birds around New York City, 1942, p. 319).

Landsborough Thomson is to be congratulated on organizing and editing this superlative volume, as well as contributing a number of major articles, altogether no small undertaking. The serious naturalist and birdwatcher will want to add this book to his library—a purchase well worthwhile.