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Bird: Exploring the Winged World, Review by Jean Dommermuth

Bird: Exploring the Winged World
Phaidon Press, 2021

Bird: Exploring the Winged World presents more than three hundred examples of artful depictions of birds. It covers a vast span of time – from an Archaeopteryx siemensii fossil (p. 26) dating back one hundred and fifty million years to an ancient Egyptian fresco of geese (Bean, Greater white-fronted, and Red-breasted) (p. 77) to a 2020 painting (Black and Part Black Birds) by Kerry James Marshall (p. 36). Most of the works, however, date from after about 1500, and a good number are modern or contemporary. There are representations from many regions of the world: West Africa (Bird (Sejen), p. 139), Zimbabwe (Great Zimbabwe Bird, p. 206), Iran (Habiballah of Sava’s Concourse of Birds, p. 79), Japan (Ohara Koson’s Egret in the Rain, p. 135), Australia (Quail Petroglyph, p. 276) and Peru (the Hummingbird of Nasca, p. 109). But it must be said that these are so dominated by works from Europe and the United States that they feel tokenized.

There are famous, even iconic works: Albrecht Dürer’s Wing of a European Roller (p. 166), Carol Farbritius’ The Goldfinch (p. 209), Jan Asselijn’s The Threatened Swan (p. 97), John James Audubon and Robert Havell’s American Flamingo (p. 177), and Pablo Picasso’s The Dove of Peace (p. 187). Peeter Boel’s Study of a Crowned Crane (p. 161), on the other hand, is — for me — a welcome surprising discovery. While these are all paintings, drawing or prints, there are also works made of silk, metal, glass, wood, even x-radiographs (Arie van ‘t Riet’s Kingfisher Feeding, p. 231). Among the more dazzling (for different reasons) uses of media are Wallace Chan’s The Lark (p. 149), a brooch made of diamonds, sapphires and garnets, and a Greater bird of paradise (p. 213) sculpted entirely of paper by Diana Beltrán Herrera in a bravura display of trompe l’oeil. 

For the most part, these are arranged as juxtaposed pairs which share something in common, whether it be a type of bird (Jakob Bogdány and Frans Lanting’s Scarlet macaws, pp. 10–11) or a visual similarity (Henry W. Elliott and Robert Ridgway’s Seedeating Birds and Duke Riley’s The Filmmakers, pp. 54–55). Some of these pairings work particularly well. Giacomo Balla’s painting Flight of the Swallows is paired with Étienne-Jules Marey’s Bird Flight, Duck Landing, a photograph that inspired it (pp. 262–63).  Nick Cave’s Soundsuitplays off a seventeenth century musical plate (pp. 72–73).  Lyette Yiadom-Boakye’s Strip Lit considers Robert Rauschenberg’s Canyon (pp. 188–89). Less obvious, but quite poignant, are Fred Tomaselli’s Bird Blast and Jean-Baptiste Oudry’s The White Duck (pp. 322–23) both of which speak to the fragility of life in complex ways. Brief essays accompany each image, providing background on the artist, the artwork and/or the birds.

This is a lovely book to leaf through, with a clean and simple layout of striking images and short, easily digestible texts. Many people will enjoy it that way, and that is the intention of the creators.

I say “creators” because this is a book without an author; it was put together by commissioning editor Victoria Clarke whose previous projects include Map: Exploring the World and The Modernist House. Clarke gathered numerous people, primarily art historians and ornithologists, to make contributions. But, perhaps because of that construction process, those parts never meld into a whole with a distinctive point of view. Thus, this is ultimately nothing more than just a lovely book that could have been much, much more.

I truly admire artists who work economically, using the simplest means to achieve spectacular effects. This requires masterful technique, demonstrated here by such works as Saul Steinberg’s Birds (p. 15) and Josef Albers’ Owl (II) (p. 83). But there is an enormous difference between being economical and taking short cuts. The latter seems to have been the modus operandi of the committee that put together this book.

In part, it is a matter of the generic versus the specific. Think of the difference between looking out on a lake and seeing a bunch of ducks rather than seeing Mallards, American Black Ducks, Gadwalls, Northern Pintails, Northern Shovelers, and a Blue winged Teal. And then there is an American Coot that kind of looks like a duck and kind of swims like a duck but is not a duck (not being a member of the family Anatidae, itself comprised of several genera).

The title of the book could not be more generic and in no way tells the potential reader what might be inside. How are we, per the subtitle, “exploring the winged world?” Perhaps a more descriptive name would have been something like “Aves: Birds in Art from Pre-History to Now.” The fact that the title parallels an earlier project by the editor suggests a kind of branding of this genre of book, intended for a pre-existing audience. The cover, a vibrant Big Bird (p. 94) yellow, is certainly eye catching; the central design, a wing made of a variety of feathers, is not one of the images inside. The book is large but, at 352 pages, not overly hefty.

The introduction by Katrina van Grouw, the author and illustrator of the intricately observed and dryly witty Unfeathered Bird (Princeton University Press, 2013). Her delightful presentation for the Linnaean Society in November of 2013 was fascinating and memorable. However, this essay is rather bland and reads as if she is writing it as a favor.

The images that comprise the core of the book are in no particular order. The arrangement is not chronological nor taxonomic nor geographic nor “functional:” feathers, advertisements, migration, symbols or human interaction. This is deliberate, but possibly someone thought at the last minute that it would not be obvious; thus, a disclaimer — strangely located on the copyright page – states this outright.

A large number of the works are either in private collections or exist in multiples: photographs, prints and printed books. Another big group is from the Metropolitan Museum of Art. These were likely ones for which getting images and the rights to print them were quite straightforward. As the images are not divided into sections, there is no need to have groupings of roughly equal length; what could easily be found could be used.

What is omitted from any selection is as telling as what is included, as it speaks to decisions that have been made. There is a cautious avoidance of the potentially controversial. For example, while there are some gorgeous objects made of feathers – a hummingbird aigrette by Joseph Chaumet (p. 18), Zen der Eiule by sculptor Rebecca Horn (p. 147), and a Brazilian Ray crown (p. 199) — we do not see the quetzalāpanecayōtl known as “Moctezuma’s headdress,” currently in Vienna’s Museum of Ethnology, an object about which an entire book could be written. (Images of this and others mentioned here are easily found on the internet.) The text on Irving Penn’s photograph Woman in Chicken Hat mentions modern restrictions on the trade in feathers but not that such millinery mania led to the extinction of the Carolina Parakeet.

The images are strictly PG. There are no provocative human nudes such as Gustave Courbet’s Woman with a Parrot at the Metropolitan Museum, Dosso Dossi’s Circe and Her Lovers in a Landscape at the National Gallery of Art, Washington, or Bronzino’s Portrait of the Dwarf Morgante at Palazzo Pitti. Included is Peter Paul Rubens’ Abduction of Ganymede (p. 50) but not his much more (literally) visceral Prometheus Bound at the Philadelphia Museum of Art. While there are images of dead birds, including the previously mentioned Oudry as well as a painting by Williem van Aelst (p. 132) and a macabre assemblage by Polly Morgan (p. 40), none have the grim weight that Francisco de Goya’s Dead Turkey and Dead Fowl at the Prado would have.

Also missing are openly Christian symbols, a rich topic specifically mentioned by van Grouw in her introduction. There are innumerable examples of pelicans piercing their breasts to feed their young with their own blood and of goldfinches grasped by infant Jesuses, emblems of the Passion because they eat thorny plants. We do not get Giotto’s avian audience to the preaching of St. Francis nor Raphael’s vigilant cranes watching the Miraculous Draft of Fishes. By keeping the majority of the works after 1500, they can easily stay in secular territory.

As this is a book meant to be looked at rather than necessarily read, the design is a crucial aspect. Flipping through, the “compare and contrast” layout (a staple of traditional art history courses) gets monotonous; when there is a single image spread out over both pages, such as Katsushika Hokusai’s Phoenix screen (pp. 52–53) it is a relief.

All the essays are almost exactly the same length, arranged in three columns each ten lines long. Some of the writers very neatly and almost exactly fill the space, but most were able to complete at least half of the last column. Sometimes that required stringing together virtually unrelated facts to make up the length. The essay on William Holman Hunt’s The Festival of St. Swithin (The Dovecote) (p. 37), bounces from influences on the Pre-Raphaelite Brotherhood to the use of dove dung as a fertilizer in ancient Iran to folk traditions of weather prediction. Only the texts on Barbara Kruger’s Untitled (Let Go) (p. 182) and Milton Glaser’s Birds (p. 248) fall short. This uniformity of text length makes design much simpler — the text, like the images, can just be dropped into a template — but also monotonous, like a print version of Instagram.

At the end are shorter sections (essentially appendices) which literally seem like after thoughts. While the ones by Jen Lobo on bird classification and orders and on bird topography and bill morphology are clear and concise, similar information can be found in any bird guidebook, most of which are smaller and thus much less awkward to use as references. There are mini-biographies about some of the makers of the works, though not for Barbara Kruger nor Milton Glaser about whose works so little was written. For these, consult Wikipedia. The short and wildly uneven glossary chooses only sixty-three words including “apotropaic,” “feather,” “psittacofulvins,” and “wingspan.”

Two of the appendices stand out in a good way. The essay on urban bird watching by David Lindo aka The Urban Birder gives useful advice to those who might be inspired to look at some actual birds. He manages to link his charming essay to ten birds depicted in the book that an urban birder might see.

The timeline appendix — a world history of humans studying, depicting, and interacting with birds — is well researched and highly creative, for me, the highlight of the whole book. This could have been the basis of a really interesting book, but it is not tied back to the main images except (rarely) referring to a page number. The author of this section, Rosie Pickles, is one of the few contributors not to get her name in bold, so I am doing that here.

The winged world and the art world are both far richer and far stranger, more beautiful and more brutal than what is presented here. That is what allows them to be life-long passions. Enjoy browsing through this book as you would enjoy a walk along a lake looking at ducks. But, over there, is an American Coot, and they are fascinating.

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Jean Dommermuth, a Linnaean member, is a lecturer at the Conservation Center of the Institute of Fine Arts, New York University and a paintings conservator in private practice in New York. She is a recent recipient of the Susan Deal Booth Rome Prize, for which she spent extended time in Rome, Italy studying Sixteenth Century Florentine canvas painting.

van Grouw Response to Bird Review

I was the external expert—on both birds and bird art—brought in to help the full-time Phaidon staff with the selection of images and to advise on the accuracy of the text of Bird. As the Consultant Editor it was my job to write the book’s Introduction—which was the part I’d been looking forward to most! 

Unfortunately for me, it turned out that Phaidon expected the introductions to this series to conform to a rigorously strict house style. The subject of each individual paragraph was set out in stone. With the entire Introduction virtually dictated to me, I had to fight—really fight—to preserve the little flourish of expressive writing in the last few paragraphs as it reaches its climax with Archaeopteryx lithographica, lithographic limestone, and the joy of birds. It was a test of diplomacy vs. tenacity and, under the circumstances, I think I did rather well! 

I’m in full agreement with much of the reviewer’s assessment of Bird. Nevertheless, the suggestion that this was because I didn’t care about it couldn’t be farther from the truth. I’m grateful for the reviewer’s high opinion of my other writing. However, an off-target guess at the reason for the disappointing writing is not fine. I was not compromising—I was being compromised. I cared, and still do care, a great deal. 

— Katrina van Grouw, July 2023

Dale Dancis’ History of the Great Gull Island Project

A long-time volunteer to the Great Gull Island Project, Dale Dancis, has created a record of this remarkable effort.

Helen Hays granted her access to decades of historic documents and photographs stored at the Great Gull Island Project office at the American Museum of Natural History. She also received hundreds of photographs from many of the staff, students and volunteers. This generous support allowed her to create three books.

These books cover the history of the island from when it was first purchased from the local indigenous tribe in 1659 and then by the U.S. Government in 1803 for an auxiliary property to the lighthouse on Little Gull Island. Then, in 1897, the U.S. Military acquired it to build a fort to guard the entrance to Long Island Sound. In 1949, Great Gull Island was purchased by the American Museum of Natural History and given to the Linnean Society of New York to manage. More than 70 years later, the books look back and celebrate the history of the Great Gull Island Project as we know it today.

For more information about her project, you can read Dale Dancis’ letter to the Great Gull Island Project community.

You can read the three books online, by clicking on the links below:



Book 1: 1659-1963
The Early Years
ISBN: 979-8-9887266-3-0




Book 2: 1963 – Present
The Glory Years
ISBN: 979-8-9887266-4-7



Book 3:
50th Anniversary
ISBN: 979-89887266-5-4

Birds and Dinosaurs: A Layman’s Perspective, Reviews by Charles McAlexander

The Rise of Birds: 225 Million Years of Evolution
Sankar Chatterjee
Johns Hopkins University Press, 1997

Riddle of the Feathered Dragons: Hidden Birds of China
Alan Feduccia
Yale University Press, 2012

My journey with The Rise of Birds by Sankar Chatterjee began innocently with an act of kindness by a friend. During a conversation with Rochelle Thomas, then Vice President of The Linnaean Society of New York, about finding a speaker for the Society who would discuss bird origins, she mentioned Sankar Chatterjee. She had picked up The Rise of Birds at the previous Annual Meeting of the Society and was willing to loan it to me. I had no way of predicting the twists, turns and complications that would arise as a result of reading Chatterjee’s book, but it led directly to Alan Feduccia and his Riddle of the Feathered Dragons. While these two works cover most of the same material, the conclusions drawn by the authors, with one major exception, are polar opposites. They cannot be reconciled. I didn’t know any of this when I began the Rise, but my fate was sealed, my journey begun.

Since becoming a birdwatcher over twenty years ago I have been curious about the origin of birds. Various articles in magazines and newspapers along with some science shows on television provided most of my information on the topic. Many conflicting theories were put forth by very credible scientists, but all of them contained guesses to make the connections that fit their theories. Bipedal dinosaurs with clawed, grasping hands and heavy tails supposedly sprouted feathers and lifted off the ground as the result of a fast run in a strong wind. Quadrupedal dinosaurs climbed trees, sprouted feathers, and jumped, mostly to their deaths, leaving the few survivors to improve upon the use of feathers to soften the impact at the bottom of the jump. Upon closer examination neither theory is correct or complete, but both got one thing right: birds had their start in dinosaurs. But never was there a consistent, supported version of how it happened. Recent discoveries in China, India, and Texas have filled in the holes and closed the discontinuities. Now it is possible to follow the narrative from earliest beginnings to the present. Chatterjee’s The Rise of Birds is that history, splendidly presented in minute detail.

Chatterjee’s presentation is clear and comprehensible. He makes no presumption that the reader has any prior education in paleontology. Further, he devotes entire sections to explaining the mechanics of the anatomical elements under discussion. The evolution of flight is a telling demonstration of the level of detail found in the text.

Flight is a much broader subject than one might suppose. Using excellent drawings to explain and clarify the text, Chatterjee describes how that single defining element, the feather, evolved from a wad of insulating fluff to become the light, flexible, replaceable, differentiated load-bearing element of flight called an airfoil and now found on birds. He explains airfoils, too.

More importantly, he makes clear the step-by-step path that allowed a two-legged tree climber to fly. Of the various general classifications of dinosaurs, it was the group called theropods that, in Chatterjee’s telling, gave rise to birds. Theropods didn’t suddenly grow a variety of feathers and take to the air. The beginnings were adaptations that helped the animal stay in the trees and move between branches. Feathers would improve accuracy by allowing a bit of in-air correction of the direction travelled. Next came parachuting to the ground. With brain growth and reorganization to better control feather disposition, aim improved even more. Landings became less of a hazard. With time and experience the target destination got farther and farther away. Jumping had become several kinds of gliding. With yet more brain power to control muscles and feathers, refined food processing, more oxygen intake to fuel the muscles, and more muscles to power the whole process, gliding became flight.

To understand and follow this fascinating evolution requires a considerable kit of scientific knowledge, a kit I don’t pretend to possess. I know some of the vocabulary and have a good understanding of mechanical things. But were it not for the bounty of excellent drawings and Chatterjee’s clear, concise and direct way of describing his topic, most of this book would have been incomprehensible to me. That said, I found it captivating.

Chatterjee starts in Pompeii to explain in human terms what happened to living animals that made them become the fossil record underlying the story. Preserving bones or teeth is hard enough. It requires an extensive string of just-so conditions that doesn’t usually happen. For a corpse to become a fossil it has to stay pretty much undisturbed long enough for chemical changes in the bones to turn it into stone. Most of the time a storm, a flood, an earthquake, or some hungry beastie comes along and puts an end to the process. To preserve feathers, skin, stomach contents or other soft tissue is nearly impossible. For that you need a very long stretch of very good luck. Yet, the fossils exist.

The complete story of birds requires input from many interrelated sciences. Geology, biology, physics, aerodynamics, evolution, extinction, and others are all present. Twice in the history of birds the equivalent of a musical grand pause has occurred. The first, about 225 million years ago, gave us dinosaurs. The second, about 67 million years ago, nearly put an end to the entire story. The explanation involves volcanism and a quasi-contemporaneous double meteoric impact. In the west, Chicxulub made the huge crater in the ocean floor near Mexico’s Yucatan Peninsula. The effects on climate, weather, and the biome we inhabit were dramatic. And although its existence is not as well established, at about the same geological time, a million years give or take, a meteor called Shiva, forty times as large as Chicxulub, landed, exploded, in India. Dust blocked sunlight for years. Greenhouse gasses spewed in incalculable amounts, raising the earth’s temperature and changing not only weather, but climate. Sulphur compounds in the ejecta acidified the rain resulting in wide scale elimination of plants and animals at the base of the food web. Potable water ceased to be readily available. Much water that could be found was contaminated and toxic. It was an instantaneous event which gave no warning and allowed no time for adaptation. But these devastating events occurred about two thirds of the way through the story. Chatterjee takes us back another 160 million years when archosaurs—the progenitor of dinosaurs—morphed into other species, giving us a variety of dinosaurs, especially theropods, and ultimately birds. 

Chatterjee describes the remarkable skeletal similarity of two fossil species found in the same limestone beds in Solnhofen, Germany: Archaeopteryx lithographica and Compsognathus. They obviously are from the same mold, but speciation had begun. One group stayed on the ground and grew larger and heavier to give us T. rex, among other bipedal raptors. The other grew lighter, more agile, and climbed trees. Both groups had feathers. Neither could fly. The tree climbers ultimately became birds. With time and habitat specialization the differences grew in nature as well as extent. Novel changes in the climbers anatomy favored life in the trees, as you would expect. One at a time, Chatterjee describes the effects these changes in morphology permitted and, sometimes, required.

Early feathers, fluffy, unconnected barbules on weak stems, provided some thermal insulation and might have been a sexual attractant, but did little else. There was neither form nor strength that could provide aerodynamic benefit other than perhaps a slight slowing of the descent of the creature if it fell out of the tree. When the barbules started linking together the rachis, or stem, grew stronger. The feathers also began to differentiate in form. Aerodynamic properties began to emerge. Taking advantage of these new properties required the development of muscle groups and mental abilities to both power and control them. Flight was still a long way off.

Bones and organs were also changing. The long, bony tail wasn’t prehensile. It helped with balance on the ground, but was mostly a cumbersome interference in the trees. Over time a shortened version took its place. Several of the bones fused into a tapered lump at the end to provide a base for attachment of early true flight feathers. Jumping between branches to catch prey or avoid being captured became easier and more accurate. The development of differentiated feathers on the forelimbs, along with some reorganization and fusion of some bones, began turning arms into wings. Jumping from between branches became controlled gliding. Aerial travel to a different tree, to the ground, or to lunch became an efficient mode of mobility, but it was still gliding. To get back into the canopy the animal still had to climb the tree. Still, true powered flight was a long way off.

During all this time, bodily changes increased structural strength yet reduced weight. Over time the tail got even shorter and the tapered point became a rounded disc called a pygostyle, which served as a strong, mobile place to attach and control tail feathers. Some forelimb bones disappeared while others fused to provide light, mobile and strong attachments for true flight feathers. A thick membrane called the patagium stretched between the shoulder and wrist. It had some possible early aerodynamic properties similar to the skin in a bat’s wing. It presumably provided the same benefit that the structure provides to modern birds.

Huge muscles are required for powered flight, both for the down or power stroke as well as the upstroke or return of the wing to its starting position. This required a place to attach the muscles to the skeleton.  All that tree climbing probably began increasing the size of the keel or ridge on the sternum which became that attachment place for flight muscles later in birds. Changing the spatial relationship of the humerus, clavicle and coracoid bones made the upstroke mechanically possible.

Technically, the pectoralis, the power stroke muscle, is attached to the sternum on one end and the humerus on the other. It contracts to pull the wing downward and forward, providing lift as well as forward motion. The supracoracoideus, the upstroke muscle, is mounted just forward of the pectoralis and is attached to the dorsal side of the humerus after passing through the foramen triossium, which is a passage created by the ends of the three previously named bones. A tendon passing over this notch like a rope over a pulley allows the supracoracoideus to pull the wing up and back when it contracts, even though it is located below and forward of the wing. With more time and more changes, the flight mechanism was perfected, or at least greatly improved.

If that last paragraph came to you as an undecipherable message from the spirit world your tool kit is similar to mine. And these are the easy words, but fear not. The drawings give clear physical shape and function to the parts and processes being discussed and the descriptions are clear and understandable, too.

Huge changes in metabolism were also under way. Large muscles require lots of fuel and lots of oxygen to burn it. A flow-through respiratory system with storage space in many air sacs located all over the body, even inside some bones, made plenty of oxygen available. Food intake was modified in a few ways. The process of lightening the body included shortening the snout and losing some, eventually all, teeth. A horny sheath, the rampotheca we call a bill or beak, became the multi-use food getting tool. A tough internal organ, the gizzard, took over the job of chewing the food.

Skull bones were lightened and reorganized. Some fused for strength. Others were repurposed to create new mobilities. Early birds, like the primitive archosaurs, opened and closed a mouth full of teeth on a single hinge. The new anatomy included an elegant triple pivot mechanism to actuate a new hinge between the dentary, or upper jaw, and the cranium. With this mechanism the bird opens its mouth by rotating the quadrate forward, which swings the mandible downward and a little forward while simultaneously raising the dentary. There is also a kind of push rod between the quadrate and the premaxillary which allows further opening of the tip of the upper bill. 

These changes, 160 million years’ worth, were some pretty impressive stuff, requiring the modification, movement, and reconnection of lots of bones, while the brain and eyes were also growing, changing, and moving. By the time Chatterjee brings us to 67 million years ago, our little tree-climbing theropod had come pretty close to becoming a modern bird. In the process we readers learned something of plate tectonics, aerodynamics, speciation, structural differences in skeletal elements, feather origins and functions, cursorial versus arboreal lifestyles, and the interrelatedness of all the variations and specializations relative to changes in habitat.

Then, when avales (the early birds) had moved into just about every habitable niche save dwelling on the deep ocean floor, Chicxulub and Shiva came to call. While Chicxulub was a very controversial theory when it was introduced, it is now well documented and well accepted. The Shiva meteor, a bolide forty times larger and much more destructive, is Chatterjee’s theory and not yet on solid footing.  This was already a highly active volcanic period. The Deccan Flow, just off modern day India, had begun oozing lava a couple million years before Chicxulub, but the double blow of both meteors “rang the earth like a bell,” activating even minor and dormant volcanoes. Whether it was one meteor, two, or more yet to be discovered, the damage was global. It was a death blow to much of what lived on the planet. 

Though survivors were few, two lines of near-modern birds continued. The Hesperornithines were foot propelled divers, analogs to modern loons and grebes. They had teeth, were heavily built, and were secondarily flightless. These were all good adaptations for hunting slippery prey in water. Icthyornithes, the other line of survivors, were smaller, lighter, and had a keeled sternum. They could fly. This is the clade, or group of similarly structured animals, from which all modern birds evolved.

You might think that, with all Chatterjee had given, this would be the penultimate chapter in the book. The sun has risen and we can see what we could only guess before. Birds are evolved dinosaurs! But Chatterjee is not one to waste the daylight. From the true avian ascendancy during the Cenozoic Era to modern birds, he discusses systematic classification using morphological as well as molecular determinants. He traces avionics from biplane to monoplane design in both aircraft and birds. He discusses brain configuration to allow the progression from leaping through gliding and flapping to true, powered flight. Eggs are described, as is their evolution from a leathery reptilian sack to a multi-membraned, hard-shelled container that allows respiration. The various bill configurations and their functions are covered, too. There seems to be nothing relating to the evolution or the existence of birds left out of this work.

Chatterjee ends this masterful treatise with mankind’s relationship to birds and the effects we have on them. Extinction is not a minor element in this discussion. As with any topic which preceded this chapter, Chatterjee explains and supports what he claims. I came to expect nothing less. At the outset of my experience with The Rise of Birds I was taken aback by the complexity of the response to my simple question: where do birds come from? I felt like the complaining person in the old chestnut “Ask him what time it is and he tells you how to build a watch.” In the process of reading the book I discovered that I really wanted to know how to build that watch. Time lost any importance. Chatterjee had taught me how to build a bird. 

This masterwork is not casual reading. As in the appreciation of any complex subject or idiom, education is requisite to comprehension as well as appreciation. I think I have learned much from The Rise of Birds, but if I claimed to have understood and assimilated a third of the material I would be overstating my accomplishment. That said, I read page after page with the rapt interest of a child in a garden full of butterflies. It was much more than a pleasant experience. It was a thirst finally quenched or a hunger well fed. If you, like me, want to know where birds come from, The Rise if Birds is a very good place to start learning. The answer is well worth the effort of the journey.

—  HOWEVER  —

There is another opinion about the evolution of birds that needs to be considered. Alan Feduccia, in his Riddle of the Feathered Dragons discusses at least six different ways to interpret the fossil evidence. Or, as he sees it, misinterpret it. You will not get the impression that Feduccia agrees with the currently popular theropod theory of bird origin. His position is that birds and theropod dinosaurs separately evolved from the same line of archosaurian progenitor.

Like Chatterjee, Feduccia lays out a good background for the discussion by providing a history of paleontology, with a focus on avian pre-history. He touches on all the big names: Huxley, Darwin, Owen, Marsh, Ostrom, Mayr, and many others. Current researchers in the field—Bakker, Currie, Sereno, Norrell, as well as Chatterjee and Feduccia himself—are all present. His descriptions of the progression of fossil discoveries include the state of “scientific knowledge” in which they are to be interpreted and he shows how this influences their interpretation. While Feduccia’s commentary is not intended to be complimentary, neither is it derisive or mean spirited. Throughout the book he makes his case without rancor, but neither does he pull any punches.

There is another interpretation of the fossil evidence, however. Feduccia, along with several other scientists of note, finds the theory and the corollary—that flight developed from the ground up—to be a misinterpretation of the fossil evidence, biased by the shortcomings of the cladistics method. That is the method of classification that tries to determine how closely related different species might be based upon the type and quantity of their shared characteristics. We, all living things on earth, have a common ancestor, or several, in the line of life that evolved into the tree of life. That doesn’t mean that we are closely related to a sponge or a deer tick, but we do share an origin. To make his case, Feduccia methodically describes the fossils, the analytical methods used to interpret their meaning, and what he considers to be the erroneous conclusions that others, including Chatterjee, have put forth.

To describe the evolution of birds it is important to know what constitutes a modern bird. Here Feduccia and Chatterjee completely agree. It would be difficult to do otherwise with the number of living species available for study. Enter the Urvogel, Archaeopteryx lithographica, found originally in the limestone beds of Solnhofen, Germany. Full disclosure: That term is somehow attractive and is used whenever any bird paleontologist has an opportunity to include it. I like it myself. It connotes more than a mere beginning. The power of this single species’ existence is latent in the term. It is widely, but not unanimously, agreed that Archaeopteryx was the first modern bird.

Feduccia, like Chatterjee, furnishes the reader with many fine drawings showing the elements being discussed. The depictions of fossils in “as found” condition show somewhat articulated skeletal remains with partial information loss and some displacement or disorientation of the fossil elements. It’s more than bones. Gizzard stones, feathers or “proto feather impressions,” and integumentary elements are included, but are somewhat distorted by the process of fossilization. Interpretation of some of these graphic representations was difficult for this layman even though the elements were well labelled. I have seen more orderly piles of bones in the trash bins of restaurants where remains of birds, fish, sheep, pigs, goats, and cattle are all in the same pile. Yet, order is found and made clear to the reader. Kudos to the paleontologists who prepared and studied these fossils. 

One anatomical element or process at a time, Feduccia describes, compares, and explains how well or poorly it supports the theory of origin. First comes the pes, or foot. There are three types that matter in the discussion. A cursorial foot, built for walking or running, is fairly flat-bottomed with only a slight curvature in the claws. In contrast, an arboreal foot has highly curved claws which can be articulated to allow walking, but find their true function in grasping limbs and branches as well as prey. A scansorial foot lies somewhere in between the two, but also has one digit which is, or can be, projected sideways for a better grasp on surfaces too large to grip, for example, tree trunks. Modern birds can have any of these three foot configurations as well as some others. The importance of this anatomical element to the origin of birds lies in Feduccia’s discussion of the origin of flight. But first we must understand the current theories of those origins that Feduccia questions. It has to do with dinosaurs.

That birds evolved directly from theropod dinosaurs became a widely held opinion in the late 20th century. Feathers and “proto” feathers were being discovered on many newly found fossils, the great bulk of which were found in Liaoning, China. Texas and a few other locations also contributed to the body of evidence. Bipedal skeletons of earlier dinosaurs, Compsognathus, for example, were quite similar to Archaeopteryx in many aspects. But they were bipedal, had a tail, and so got lumped together with apparently similar theropod dinosaurs without the careful scrutiny Feduccia deems mandatory.

The discovery of feathers on the new additions to the theropod clade triggered a radical change in understanding what constituted a dinosaur. To some, feathers imply endothermy, and endothermy in turn implies increased intelligence. These conclusions brought a new interpretation of intelligence, mobility, and color to these relatives of the physically and mentally slow lizards.

Articles on this “new truth” proliferated at the end of the last century. Many books, magazines, and videos (TV shows then) showed “possible” looks and “artists’ interpretations” of warm blooded, feathered theropod dinosaurs of various sizes and origins. Scientific journals were not immune to the wave of acceptance. Neither were institutions like colleges and museums. The charisma of a brightly feathered T. rex was as irresistible as it was ubiquitous. The tautology was complete. Feathered fossils were considered theropods, so other theropods must have had feathers. Since only theropods had feathers then, and only birds have feathers now, birds must have evolved from theropods. Underneath all the hoopla, marketing and celebration were a handful of small voices in the wilderness saying “but, what about …..?” Feduccia’s was and is one of those voices.

Defining the clade Theropoda is high on the list of “But, what abouts…”. Theropods are cursorial (walking, running, ground dwelling) bipeds with heavy, muscular legs, flat-bottomed feet, and a well-developed bipedal skeleton including shortened forelimbs. They were ground bound animals. Bird ancestors are not. As soon as the bird progenitor began scrambling up the trunks of trees natural selection began preferential pruning and trimming to make that easier to do. The cursorial foot became more scansorial in design and the claws on both hand and foot started becoming more curved.

The shortened forelimbs of a theropod, about 40% shorter than the expected length typically found in quadrupeds, is beneficial to the cursorial biped. There is still enough forelimb left to grasp and manipulate food, prey, or a mate during copulation, but the weight loss is considerable and allows for a lighter tail to balance the center of mass over the hips. This makes for a lighter, faster, and more agile runner or walker, but it would be a detriment to the tree climber. The span of the climber’s grip would be lessened, making it less stable and weaker. Birds don’t have the shortened forelimbs that were so useful to theropods. 

Furthermore, for birds to have evolved from theropods, a staple of evolutionary theory would have to be violated. Louis Dollo, French born Belgian paleontologist, proposed in 1893 that “[a]n organism is unable to return, even partially, to a previous stage already realized in the ranks of its ancestors.” This statement, Dollo’s Principle, has been supported by later research and is generally considered to be true. For birds to be evolved theropods would constitute either an exception to, or a negation of, Dollo’s Principle. The shortened forelimbs—the wings-to-be— would have had to become longer again.

That would be misleading. One might think that the shortened forelimbs and large thighs of the movies’ velociraptors, a type of theropod, were the ancestors of a modern roasted chicken’s scrawny wings and big, meaty thighs and drumsticks. They weren’t. The muscles which power those scrawny, but not short, wings are found elsewhere on the skeleton, specifically the breast. It is a wonderfully practical design. The part that moves, the wing, is light, strong, flexible, and articulable.  Some muscle is present for that articulation, but the immense power required for flight comes from the pectoralis and supracoracoideus, a.k.a. the breast muscles. Put even half of the breast mass on the wings and the best a bird could do when flapping its wings would be to flop around on the ground. 

Return that mass to the middle of the bird, however, and attach one end to a raised ridge, or keel, and some miraculous things can happen. The bird becomes more aerodynamic. Changes in attitude and direction become nearly instantaneous. The rate at which a power stroke can occur is greatly increased because the muscle isn’t waving and shaking all over the place. The big powerful pectoralis muscle merely contracts, pulling on tendons that move the wing downwards and a little forward. Then, the supracoracoideus, a somewhat smaller muscle but still a large one, contracts, pulling on a tendon which passes over the triossial notch to pull the wing back to its starting position. This also stretches out the pectoralis and makes it ready for the next contraction.  Each muscle rests while the other is working. If ever there was an argument for intelligent design, this is it. Theropods don’t have this marvelous adaptation. Their forelimbs aren’t used for locomotion. Consequently, their forelimb and breast musculature was much smaller and less sophisticated.

The full list of differences between theropods and birds is lengthy and better left described by Feduccia, but some additional high points are worthy of notice. Theropods and Archaeopteryx have bony tails. Birds don’t. Well, this isn’t exactly correct. Over evolutionary time the ancestral species to birds developed progressively shorter tails. The weight loss aided mobility and shorter tails interfered less in the canopies where they lived. Several of the caudal vertebrae fused into a pointed lump at the end, which allowed stronger muscle attachment and let the involved feathers become more aerodynamically useful. Eventually the pointed lump became a disc called a pygostyle, which allowed the useful fan shaped tail found in modern birds. This evolution brought the function of the tail to its current efficient maximum. So birds do have a bony tail, but it is designed for flight, not running.

Two aspects of the avian skull are noticeably different from theropods. First, flight doesn’t happen just because wing and tail structures are in place. Along with their development came changes in the brain and the inner ear. Most birds have weak senses of smell and taste. This is the result of the diminution of the large olfactory lobe of the brain. It decreased as the cerebral cortices moved ventrally and increased in size. The optic lobes grew as well and moved closer to the eyes. Smell and therefore taste became considerably weaker senses, but the loss was more than compensated by increased visual and cognitive abilities. Smell and taste aren’t very useful in flight, but visual acuity and complex thought are. Theropods don’t have this brain development. 

The inner ear, organ of hearing as well as of balance, was modified to better process information about attitude and acceleration. Both are crucial for controlled flight. The fluid filled sacs in the “flight brain” function much as the semi-circular canals do in humans but were honed for the demands of flight. That humans share this type of balance organ with birds should come as no surprise. We both lived in trees at some point. Inner ear abilities were selected for those with better ability to judge direction and acceleration. That is, those with weak skills missed the intended branch and fell to the ground. If they survived they might have been able to again climb the trunk and try again. But, if they were wounded the probability was greatly diminished, especially if a hungry predator was nearby.

As plumage became more aerodynamic, the individuals who missed the branch but controlled the descent path and velocity, even to a small degree, must have had a greatly improved survival rate. Leaping to a distant branch was only an early choice. Parachuting to the ground—falling with style if you are a fan of Buzz Lightyear—made exiting a tree a matter of choice, not the result of bad judgement or poor skills. Neither Feduccia nor Chatterjee mention it, but just as an early bird might aim for a spot with good conditions for landing, I have to think some used the technique to aim for a higher probability of food. Aerial predation might have predated powered flight.

As flight skills improved, claws (hands) became a less efficient means to deal with locomotion or procuring or manipulating food. The claws became superfluous. The very mobile bill, or beak, replaced them for all but climbing, which also was greatly diminished in frequency. Although I have seen a parrot use its bill as a hand to pull itself up an angled branch, the ability to function as tongs, nutcracker, pliers, or shears made the bill a most versatile tool. The bony structures underlying all these functions differentiates birds from theropods, too.

Unlike dinosaurs, crocodiles, lizards, turtles or any other species with a simple jaw hinge, or quadrate, birds developed a much more sophisticated mechanism. The quadrate pivots at the top where it is hinged to the cranium. In dinosaurs, there was another pivot at the bottom of the bone, which allowed the mandible to come open as well as move a little forward as the quadrate pushes it. Birds have all of this plus a band of flexible material at the base of the maxilla, upper bill, which allows it to rotate upward in relation to the skull. This is achieved by a push rod, the jugal bar, connecting at a third pivot point on the quadrate. As the quadrate rotates forward the jaw drops and the upper bill is pushed upward. This process, called prokinesis, allows a wider gape to accept larger food while keeping the cranium immobile. 

There is also rynchokinesis. This is the ability to open just the tip of the bill. By keeping the mandible closed, or nearly so, and rotating the quadrate, those same push rods apply force to the tip of the maxilla just beyond another flexible zone. Just the tip of the upper bill rotates upward! This phenomenon is not often seen, but serves as a good explanation of how a shorebird, a dowitcher, for example, can grasp food without trying the nearly impossible task of opening its bill while it is stuck in the mud.

 While Chatterjee more fully explains all of this, he does not show that any of the presumed theropod ancestors to birds had these capabilities. It might be considered a minor point by paleontologists, but to this layman such a sophisticated and complex mechanism doesn’t seem irrelevant. There is even a foot in the door for Feduccia’s conjecture that some of the supposed theropods were birds that had become flightless. From the theropod drawings in both books, it appears that there could have been some independent movement of the premaxilla using a similar if not identical method. This bolsters Feduccia’s claim that these bird-ancestor “theropods” might not have actually been Theropods!

Otherwise, the differences between theropod dinosaurs, however actually defined, and birds are sufficiently extreme to make the theropod origin of birds highly unlikely, or even impossible. 

  1. Theropods are obligate bipedal ground dwellers. The entire hip structure is heavy and designed for walking. The hip socket, or acetabulum, differs from that of birds in that there is no antitrochanter, or bone ridge, to keep the legs under and in line with the major axis of the body. Instead, theropods have a facet probably used for attaching some of the powerful muscles required to move the massive legs and feet.
  2. Theropod forelimbs are approximately 40% of the length expected in a quadruped. This shortening didn’t happen in birds, whose forelimbs underwent a different change to create surfaces where flight feathers could be attached and controlled.
  3. Bird brains, a.k.a. flight brains, show several characteristics not present in theropods. The reduced olfactory lobe was the trade for much better sight, balance, and a larger, more complex cortex for rapidly processing information. For birds this was no great loss. The sense of smell is not very useful in flight. One exception to this is the Turkey Vulture–Black Vulture mutualism. The Turkey Vulture has a considerably better sense of smell and the Black Vulture has a more acute visual capability. The Black Vulture tags along with the Turkey Vulture as it sniffs its way up the cone of odor given off by carrion which could be several miles away. When they get close to the corpse, the Black Vulture locates the meal visually and leads the way for the Turkey Vulture. Both eat. 
  4. Inner ear enhancement is a telling difference, too. While spatial awareness is important to all mobile life, it is imperative for flight. The changes likely began when the basal archosaur at the top of this evolutionary chain started clawing its way up tree trunks to get a meal or to avoid becoming one. From there, selection had its effect. Those with better balance and more curved claws fared better than the rest and over generations, made their way into the canopy. Life there is very different from life on the ground. The abilities to judge distances, grasp branches, and jump from one to another are mandatory. Second chances are rare, so adaptations are to be expected.
  5. The heavy long tail of a theropod has a very useful function on the ground: balance. This weight helps compensate for the neck and head to keep the center of mass over the legs. The hips are the fulcrum of this teeter-totter. When the compensating mass is missing, i.e., the other kid jumps off the teeter-totter, the remaining mass quickly drops to the ground. Musculature and energy consumption to compensate for the function of the tail would be extreme.

    But in the canopy, a long, heavy, meaty tail is a handicap. It provides no advantage in balance or locomotion in the trees, but it does provide a handle for would be predators to grasp. The shortening would be expected and the modification came with a bonus! The handicap became a useful tool to hold and articulate feathers. From parachuting, to gliding, to powered flight, the shorter, feathered tail became a huge asset for determining direction as well as orientation.
  6. Birds also moved the fulcrum forward a bit. The legs of a theropod pivot largely at the hip and are straighter than bird legs. Birds point their thighs forward and walk by pivoting at the knee. What we see as the backward bending knee is actually the modified ankle. The “shin” is the tarsometatarsus, or modified arch of the human foot. Bird “feet” are only the toes.
  7. This modification of the legs and feet is parallel to the changes in the forelimbs in birds. The distal ends are light, strong, and flexible, but lack the bulk and brute strength of a theropod leg. In both cases the main mass of the limb is concentrated near the center of mass of the bird. This allows faster changes in orientation, which is another useful flight adaptation. The classic demonstration of the principle for humans is the spinning skater whose rotation rate increases as arms, mass, are brought closer to the body, the axis of rotation. It’s a pitiful example compared to watching any bird dart and dodge through the branches to avoid capture by a predator. 

With these many examples of the differences between birds and theropods, it would have been reasonable to expect Feduccia to stamp Q.E.D. on the last page and go his merry way. But all this description and comparison is but preamble to what Feduccia sees as the cause of the misinterpretations and wrong conclusions. The cladistic method is the culprit.

Cladistics is the grouping of species by the frequency of shared characteristics. At first it makes a lot of sense. Species which share high numbers of the same attributes would seem to have some link or connection. In general, is not a bad starting point, but there are weaknesses in cladistic analysis that must be considered.

First, not all characteristics have equal analytical weight. Plumage color is a good example of weak or no association. If all birds with red feathers were considered a clade, Scarlet Tanagers, Northern Cardinals, Red-winged Blackbirds, and Red Phalaropes along with several woodpeckers some finches, some redpolls, Pine Grosbeak, Red Crossbill and Rose-breasted Grosbeak would be considered more closely related than each species’ actual congeners. Obviously, this is a weak way to determine relatedness. Diet and geography are about as good.

Things which are difficult to modify, like pelvic structure or joint configuration, make much better determinants. The differences between Avian and Theropod pelvises are quite telling. The lack of a supraacetabular shelf, that ridge of bone theropods use for muscle attachment, is one of several defining structures found missing in Archaeopteryx. Without it, the bird could not be a theropod.

One especially weak area in the cladistic method is the inability to discover, let alone deal with, convergence. Convergence is the tendency for animals that do the same things and live similar lifestyles to develop similar body parts better suited to the tasks before them. There is usually a best way or suite of best ways to achieve a particular mechanical goal. Body parts tend to be selected in favor of the design which works best. “Works best” usually means getting more food, water, or shelter, as well as avoiding predators and attracting mates. Whatever may be required to survive—a large bill, stronger teeth, smaller hips, or whatever—will become the norm regardless of any prior connection. However, a waxwing, a finch, and a sparrow with the same adaptive feature will be no more closely related than before the similar adaptation.

Neither does cladistic analysis deal well with heterochrony or neoteny. Both of these developmental effects deal with the timing of different growth processes. Heterochrony is a change in timing or order of particular kinds if growth. Neoteny is the persistence and retention of stages of development. Both can change the appearance and function of an individual making it look like a separate species when it is just an abnormal individual.

With all this evidence contrary to the currently popular theropod origin theory you might expect Feduccia to state his own theory, claim victory and, again, go his merry way. But he does not. At no time in Riddle does Feduccia claim to have an answer other than an admittedly unprovable conjecture that birds and theropods shared some kind of archosaur ancestor. But that is his point. We don’t know and may never discover definitive proof of avian origins.

To quote Feduccia (p.189) “Yet the debate is not and never has been about ‘whether  or not birds and dinosaurs share a close evolutionary heritage’ since both sides of the debate have almost always agreed on that issue. The real question is whether Aves is nested within Theropoda and whether flight evolved from earthbound dinosaurs”. Chatterjee and Feduccia are in complete agreement about flight. Both argue convincingly that flight evolved in the canopies, not on the ground. Their disagreement is about whether birds came from theropods or whether Theropoda and Aves both descended from the same earlier progenitor.

The Chinese discoveries made a real mess of contemporaneous research and theory. For most, the supposed theropods with flight feathers was the end of the discussion. Anyone who did not see the obvious and simple “truth” of the new “facts” was either a fool or a troublemaker. Keep in mind that Theropoda is a weakly created grouping that Feduccia critiques in the book. Also note that the Chinese fossils were lumped with theropods because of similarities to other creatures that had previously been lumped incorrectly with other theropods. This failure of cladistics created the schism which followed. Here, Feduccia reveals a surprising but also valid interpretation of the feathered “theropods”. To quote Feduccia: “of course, the real problem was that the authors had actually described two secondarily flightless birds.”

My jaw dropped. I didn’t know if I had just entered a paleontological Twilight Zone or if everything I had just read, with relish, was unproven, misinterpreted conjecture. I have come to the conclusion that, with two exceptions—the theropod origin of birds and the Shiva bolide—everything else in Chatterjee’s Rise is well documented and should be considered good science. Feduccia punches too many holes in the theropod origin theory for me to accept it as proven. That evidence might never be found. The same can be said of the super meteor Shiva. There is a remnant of an impact crater off India which might bear the proof of Chatterjee’s theory, but much research will be required to decide the validity of that conjecture.

Feduccia’s admittedly unsubstantiated suggestion of a common ancestry suffers the same lack of proof. Yet, all current ratites—flightless birds like ostriches, emus, cassowaries, and kiwis—have been shown to come from volant (flying) ancestors. Assuming the same was true for early birds, the idea that a basal archosaur, currently undiscovered, was the origin of birds allows enough time for birds to have developed both flight and secondary flightlessness. In other words, it could be true.

While I am swayed by Feduccia’s arguments and therefore, cannot share the joy of knowing where birds come from, I still enjoyed Chatterjee’s The Rise of Birds. The material greatly overlaps, as would be expected, but Chatterjee makes some anatomical features easier to comprehend. I also like his invocation of the Shiva meteor as a cause of global near extinction. Chicxulub never did seem large enough to me to explain what happened. I hope one day to hear of the missing proof.

I cannot choose one book over the other. If you would read either, you must read both. Both are excellent and jam packed with a delight of bird information. That’s brain candy for me and, I suspect, many others. At base, I still don’t know exactly where birds originated, but I do have a good idea what the current opinions are. I did finish with a strong feeling that I could make a bird with two boxes of toothpicks, some glue, and my pocketknife. Maybe I’ll try it sometime.

Thomas E. Lovejoy, Ornithologist to Conservationist, 1941-2021

I first met Tom when I interviewed for a job with him in late 1980, having been introduced by another longtime Linnaean member, Roger Pasquier. Like Tom, I was a native New Yorker, and had fallen in love with birds at Jamaica Bay and in Central Park. I met him at his family’s office in New York City, and within a second we both chuckled as we realized we were wearing identical blue Brooks Brothers suits. First impressions do count, and I was hired. 

Born and raised in New York City, Thomas Lovejoy joined the Linnaean Society in 1961. He transcended his ornithological interests to become one of the most noted conservationists of our times. Tom, as he was known, became interested in birds as a child, but when he went to Millbrook School up the Hudson River, his broader intellectual curiosity in the biotic world was sparked. After Millbrook, he went to Yale, worked in the Peabody Museum as an undergrad, and even wandered off for a year to study birds along the Nile. Graduating in 1964, he stayed on for graduate work. He visited the Amazon to research avian migrants and fell in love with its magnificent flora and fauna. He then focused on the resident avian species and pioneered mist-netting in the Amazon’s forest canopy. He received his PhD in 1971 for delving into the mathematics of diversity (Lovejoy, T.E. 1975. Bird Diversity and Abundance in Amazon Forest Communities. Living Bird 13:127-191). At Yale he also became quite close to Professor Evelyn Hutchinson, who built on Charles Elton‘s idea of an ecological niche, further refining it as “a highly abstract multi-dimensional hyperspace.” Evelyn, who studied nutrient cycling, was also one of the first  proponents of the notion that an increase in carbon dioxide would lead to a global temperature increase.

At Yale, Tom also fell in love with and married another professor’s daughter, Charlotte Seymour. Her grandfather had been Yale’s president, and her father a distinguished art historian. Tom and Charlotte, who was known as Mopsy (from Beatrix Potter’s tales), started their family in New Haven. Tom remained an inveterate Yalie all his life, closely involved with its School of the Environment and later chairing the University’s Institute for Biospheric Studies, known as the Biosphere 2.

After New Haven, he moved to Washington D.C. with Charlotte to raise their family and begin a career in conservation, though they amicably divorced shortly thereafter. Throughout his career, Tom was a major proponent of three key issues: the loss of biological diversity, tropical deforestation, and climate change. Indeed, he coined the term biological diversity, which he later shortened to biodiversity. He brought each of these issues to the world’s attention through both his research and his ability to bring people together. While at the World Wildlife Fund, Tom started the incredibly ambitious Minimum Critical Size of Ecosystems project, now called the Biological Dynamics of Forest Fragments Project. In perhaps the largest study ever of forest fragmentation, Tom worked with the Brazilian government and local ranchers near Manaus to preserve forest plots of one hectare, 10 hectares, and 100 hectares that were isolated by surrounding grazing areas. He then raised the funds to bring in a host of North American and Brazilian scientists and students to study the effects of isolation on each plot’s flora and fauna (Lovejoy, T.E., and D.C. Oren. 1981. The minimum critical size of ecosystems. Pp. 7-12 in R.L. Burgess and D.M. Sharp, Eds. Forest Island Dynamics in Man Dominated Landscapes. Ecological Studies Vol. 41. Springer-Verlag; and Bierregaard, R. O. 2001. Lessons from Amazonia: The Ecology and Conservation of a Fragmented Forest. Yale University Press). The project, managed on site for its first eight years by Rob Bierregaard, was not only epic in scope, but brought a host of trained academicians to the Amazon and, as importantly, trained a generation of Brazilian biologists. Over the years this project and other facets of his work involved a number of Great Gull Islanders and Linnaean members, whom Tom relentlessly recruited for his projects. 

As vice-president for science at the World Wildlife Fund–U.S. under Russell Train, who previously had headed the EPA, Tom also provided scientific reviews and recommendations on all the projects the organization considered funding. Among many many others, Tom ardently supported Russell Mittermeier’s work on primates and Anne Labastille’s efforts to protect and restore the Lake Atitlan Grebe. Reflecting Tom’s panache, her work on this highly endangered species was celebrated every July 14 (Bastille Day) in his office. He wrote copiously and spoke frequently, and was considered the consummate conservation host in the nation’s capital. Nearly every week, when he was not in Brazil or traveling elsewhere, Tom would pull together splendid but low-key dinners for visiting conservationists at his home, called Drover’s Rest, in McLean, Virginia. E.O. Wilson, Paul Ehrlich, Jared Diamond, George Woodwell, Jane Lubchenco, and many others were his guests. Following a tour of his splendid garden, filled with unusual and interesting plants, guests were treated to a table laden with good food and great wines, and a long comfortable evening spent plotting conservation strategies. Indeed, it was because of George Woodwell, founder of the Woods Hole Research Center (now known as the Woodwell Climate Research Center), that late one night in the early 1980s Tom’s interest in climate change was reignited. He pondered a graph that George shared, showing rising global atmospheric carbon levels, and, recollecting Evelyn’s work, soon began to promote an awareness of the ecological consequences (Climate Change and Biodiversity. Lovejoy & Hannah, Eds. 2006. Yale Univ. Press). 

Long a great admirer and close friend of ornithologist Dillon Ripley, his professor at Yale and later secretary of the Smithsonian (1964-84), Tom himself had a hankering to work for the Smithsonian, and after his time at WWF, from 1987 until 1994, he was the assistant secretary for the environment there. He stayed on a bit longer as a senior scientist. Then, in 2002, he became president of the H. John Heinz III Center for Science, Economics and the Environment. In recent years he was a professor at George Mason University, lecturing on biodiversity. 

Thomas Eugene Lovejoy III was born to Thomas Jr. and Jeanne Gillette Lovejoy, their only child, in 1942. His grandfather had acquired the Manhattan Life Insurance Company in 1912, and his father was later its president. Throughout his life, Tom remained involved with the company and later chaired its board. Indeed, it is perhaps not surprising that New York City’s first re-introduced set of Peregrine Falcons were hacked off the company’s building on West 57th Street by Tom Cade. (https://www.audubon.org/news/remembering-tom-cade-father-peregrine-falcon-conservation)

Tom’s marriage to Charlotte ended in a divorce, but they remained close friends until she passed away in 2013. Tom and Charlotte are survived by their three daughters, Elizabeth, Katherine, and Anne, plus six grandchildren.  

Throughout his career Tom was a prolific author (he edited 10 books and authored or co-authored 321 papers) and spoke tirelessly about the issues important to him, leveraging his charm to reach a wider audience. After working for him for several years, I came to think of him as Mother Nature’s elf on Earth—always smiling, self-deprecating, witty, welcoming, and immeasurably bright. Even amidst all his research and the need to raise funds and deal with the tentacles of bureaucracy, he still managed with his trademark effervescent joy and great aplomb to bring influential and politically connected people to the Amazon and to his side, including Walter Cronkite, Tom Cruise, Ben Bradlee, and Al Gore. Tom always danced on the edge of politics and science—even, in the 1980s, coming up with the notion of nature-for-debt swaps as a way for wealthy nations to fund nature preserves in developing countries, an idea being replicated currently in the form of carbon tax credits. Not surprisingly, Tom received a number of accolades for all his great work, including election to the American Academy of Arts & Sciences, the American Philosophical Society, and the U.S. National Academy of Science. He was also awarded USC’s Tyler Prize for Environmental Achievement and the Blue Planet Prize. 

Tom was a frequent visitor to NYC and attended the Society’s banquet in 2020. Deep down, I will dare say, he was always a New Yorker at heart—bright, energetic, and competitive….just don’t tell his great circle of Washington friends.

— Alexander Brash

Mickey Maxwell Cohen, 1927-2021

The Linnaean Society of New York fondly remembers legendary local naturalist and educator Mickey Maxwell Cohen, who received the Society’s Natural History Award in 2012. He passed away at the end of December at the age of 94. Mickey was an educator, a naturalist, an environmentalist, a civil rights activist, and an intellectual, in addition to being expert in antique restoration, ornithology, marine life, and foraging wild foods. 

Photograph courtesy of Don Riepe

Mickey was instrumental in the concept design for Beach Channel High School—a NYC high school on the shores of Jamaica Bay in Queens, NY, that was intended to integrate marine studies into every subject taught. He served as assistant principal and chair of science and oceanography, and throughout his career received numerous scientific and teaching awards.

He also served as chief scientist and much-loved naturalist for the Littoral Society in New York. For over 40 years, Mickey and Don Riepe, a long-term member of the Linnaean Society of New York, led natural history trips for the Littoral Society to places near and far, including Montauk, Chincoteague, Costa Rica, Africa, Cape Ann, the Galapagos, and one of his favorite local haunts, Dead Horse Bay in Jamaica Bay. His favorite place of all was perhaps the Galapagos Islands, which he visited over 20 times. He was always willing to share his wide knowledge with everyone. 

His love of nature and natural history has inspired several generations to follow in his footsteps by becoming outdoor enthusiasts, environmental protectors, and nature lovers. He will be greatly missed by many people.

— Don Riepe and Ruth Hart

Birders Concerned About Posting During Hunting Season

Reprinted with permission is a letter originally sent to the NYSbirds-L Listserv, asking birders to exercise caution when posting information about waterfowl during the NY DEC 2021-2022 Hunting Season.

Date: 1/14 8:13 AM
From: Patricia Lindsay <gelochelidon…>
Subject: [nysbirds-l] Long Island’s rare geese

With the hunting season now upon us, and the Waterfowl Count starting on Saturday, we would like to make a serious plea that birders and photographers not post reports of rare geese from Riverhead and the East End of Long Island on eBird, Facebook, this listserv, or any other social media platform until the end of the season.

It has become very clear here on LI that hunters have caught on to eBird, the listservs, and social media, and are targeting the rare geese (and ducks also) using information obtained from birders. One of the only Pink-footed Geese in the Riverhead area last winter was shot this way, and we personally know of other cases involving Ross’s and Barnacle Geese (and King Eiders, etc.). A Greylag Goose, very likely of wild origins and if so, extremely rare, was also shot in this area a few years ago. 

The problem is most acute in the Riverhead area and on the South Fork, from November to the end of hunting season (9 Feb for Canada Goose, 6 Mar for Snow Goose). We understand that the birding community does not want war with the hunters, but the situation here is very sensitive–everybody knows the very limited number of specific fields used by the geese, and it seems a shame that the rarer species are being exposed to this level of danger. 

We would suggest Cackling, Ross’s, Barnacle, Pink-footed, and Greater White-fronted Geese, and of course any mega rare species, seen in these areas not be reported until hunting season ends or at least until the geese seem to have moved on. 

Cackling and Greater White-fronted Goose may be taken legally as part of the Canada Goose bag limits. Snow and Ross’s Geese may be taken as part of the Snow Goose bag limits. The others are not listed as game species on the DEC website so apparently were taken illegally. 

By making this one small sacrifice, we might just be able to save a few birds and get to enjoy them longer. 

Thanks for your consideration.

Best,

Shai Mitra and Pat Lindsay
Bay Shore

Central Park Spring Bird Walks—2021 Wrap-Up Report!

Each Tuesday morning, from March 30 to June 1, at 7:30 sharp, enthusiastic birders gathered (in COVID-19-safe, masked, groups of ten) to celebrate spring migration together. 

We had a spectacular “season”!  

Not only did we enjoy 136 bird species, including 29 warbler species, but we were able to learn from one another, to connect with new and old friends, and to see the dormancy of winter give way to the verdant, new life of spring!

Made possible only by the hard work and willingness of our volunteer field trip committee, webmaster, registrars, and leaders — we had a record number of participants (99 on our peak walk).

“Newbies” and seasoned birders, members and non-members, New Yorkers and visitors – we became a community. 

Thank you to all those who contributed to making the spring of 2021 so memorable! 

If you missed out, join us for an upcoming field trip this summer and earmark your Tuesday mornings this Fall with, “LSNY bird walks in Central Park!”

Combined Species Lists for the 2021 Central Park Spring Bird Walks

Birds
Canada Goose
Wood Duck
Northern Shoveler
Gadwall
Mallard
Bufflehead
Ruddy Duck
Rock Pigeon
Mourning Dove
Black-billed Cuckoo
Chimney Swift
Ruby-throated Hummingbird
American Coot
American Woodcock
Spotted Sandpiper
Solitary Sandpiper
Bonaparte’s Gull
Laughing Gull
Ring-billed Gull
Herring Gull
Great Black-backed Gull
Double-crested Cormorant
Great Blue Heron
Great Egret
Green Heron
Black-crowned Night-Heron
Turkey Vulture
Osprey
Sharp-shinned Hawk
Cooper’s Hawk
Red-tailed Hawk
Great Horned Owl
Barred Owl
Yellow-bellied Sapsucker
Red-bellied Woodpecker
Downy Woodpecker
Northern Flicker
American Kestrel
Merlin
Peregrine Falcon
Olive-sided Flycatcher
Eastern Wood-Pewee
Yellow-bellied Flycatcher
Least Flycatcher
Eastern Phoebe
Great Crested Flycatcher
Eastern Kingbird
White-eyed Vireo
Yellow-throated Vireo
Blue-headed Vireo
Warbling Vireo
Red-eyed Vireo
Blue Jay
American Crow
Common Raven
Black-capped Chickadee
Tufted Titmouse
Northern Rough-winged Swallow
Barn Swallow
Golden-crowned Kinglet
Ruby-crowned Kinglet
Red-breasted Nuthatch
White-breasted Nuthatch
Brown Creeper
Blue-gray Gnatcatcher
House Wren
Winter Wren
Carolina Wren
European Starling
Gray Catbird
Brown Thrasher
Northern Mockingbird
Veery
Gray-cheeked Thrush
Swainson’s Thrush
Hermit Thrush
Wood Thrush
American Robin
Cedar Waxwing
House Sparrow
Evening Grosbeak
House Finch
Purple Finch
American Goldfinch
Chipping Sparrow
Field Sparrow
Fox Sparrow
Dark-eyed Junco
White-crowned Sparrow
White-throated Sparrow
Vesper Sparrow
Savannah Sparrow
Song Sparrow
Lincoln’s Sparrow
Swamp Sparrow
Eastern Towhee
Yellow-breasted Chat
Eastern Meadowlark
Orchard Oriole
Baltimore Oriole
Red-winged Blackbird
Brown-headed Cowbird
Common Grackle
Ovenbird
Worm-eating Warbler
Louisiana Waterthrush
Northern Waterthrush
Blue-winged Warbler
Black-and-white Warbler
Prothonotary Warbler
Tennessee Warbler
Nashville Warbler
Kentucky Warbler
Common Yellowthroat
Hooded Warbler
American Redstart
Cape May Warbler
Northern Parula
Magnolia Warbler
Bay-breasted Warbler
Blackburnian Warbler
Yellow Warbler
Chestnut-sided Warbler
Blackpoll Warbler
Black-throated Blue Warbler
Palm Warbler
Pine Warbler
Yellow-rumped Warbler
Prairie Warbler
Black-throated Green Warbler
Canada Warbler
Wilson’s Warbler
Scarlet Tanager
Northern Cardinal
Rose-breasted Grosbeak
Indigo Bunting

Butterflies

Cabbage White
Mourning Cloak
Red Admiral
Question Mark

Herps

Red-eared Slider

Mammals
Eastern Coyote

Jean Blair, January 2021

Long time Linnaean Society of New York member Jean Blair died this past January in her native England. She resided in Manhattan and worked for the United Nations for many years until her retirement in 1988, whereupon she returned to her family home in Uckfield. I first met Jean back in 1977 and we struck up a friendship that lasted for decades. I found her to be a charming person, with a sense of humor about what was going on in our lives. I will never forget her delight when a roosting nightjar sitting low on a branch in the Central Park Ramble turned out to be her life Eastern Whip-poor-will, and not, as first thought, a Chuck-will’s-widow, a species she had previously seen. She literally grabbed me in her excitement. 

I paid her a visit when we visited England back in the fall of 1996. I will never forget her kindness in showing us her quaint cottage, where her mother had taught private students. The weather had turned chilly, and Jean had her gardener cover her flowers so that they would not wither overnight in the low temperatures. She took us to a lovely, old-fashioned shop for tea and scones; for lunch we dined at a 16th-century inn that specialized in bangers and mash—but the bangers were made fresh across the road! She also showed me my life Marsh Tit.

Every year Jean would make a February/early March visit to New York City, and every year we would have dinner on Manhattan’s Upper East Side, a block or two from where she was staying. We would laugh and talk about the old LSNY days. We only birded once in all those years, and that was a quick day trip to Central Park to look for the Varied Thrush (which we unfortunately did not find). 

I was in England in April 2019 and rang her up to ask if I could take the train down to see her once more, as she hadn’t been able to fly to New York for her annual visit for a couple of years. She was not up to it, so I had to be content with talking on the phone.

The last time I spoke with Jean was in early September of 2020. She had had some physical problems necessitating a rather long hospitalization in the spring of 2020. However, when she picked up the phone in September, she told me that I “couldn’t have picked a better time to call her.” When I rang off I had no idea it would be the last time I heard her voice.

One species that had always eluded Jean and which she often talked about was the American Bittern. She never did see it.

Well, my dear Jean, I regret that I never was able to show you that American Bittern. I will miss you.

—Richard ZainEldeen